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Reference Fixtures and the Pursuit of Semi-Objectivity

Color is a subjective experience*. While we can be reasonably sure that when you and I look at, say, The Starry Night, we’re seeing the same field of variegated blues with pale yellow stars, rich canary moon and rolling blue hills, we’re never entirely certain. However, while whether you and I experience orange in the same way is a question without either an answer or any action whatsoever to take attached to it, what is interesting is creating colors that match, and in particular, creating colors that match across fixtures. This is of particular importance in entertainment lighting scenarios, where we often (usually, even) have lighting fixtures that are vastly different across manufacturers. Within that ecosystem, there might be different color modes or curves that affect the values that we… Read More »Reference Fixtures and the Pursuit of Semi-Objectivity

Fixture review: The Claypaky Sinfonya Profile 600

This review originally appeared in PLSN. Author’s note: this article is written based on specifications and video footage, and I have not physically seen the fixture. Further, as of the time of this writing, the user manual for this fixture is incomplete, so several aspects of features and fixture control are unable to be evaluated at this time. -CR Theater environments present unique demands. Noise, of course, is an obvious one – actors are not always sound reinforced, relying on power and elocution to be heard in the cheap economy seats, so quiet fixtures are a must. Quality of light is equally or more important – theaters somewhat famously being holdouts on the LED revolution in favor of what they… Read More »Fixture review: The Claypaky Sinfonya Profile 600